07
Body: Duet ~ Capri Orange T, Aged
Woods: Alder body, Eastern Hard Curly Maple neck, Indian Rosewood fretboard, Indian Rosewood skunk stripe.
Wiring Diagram: Click Here.
Construction Details: Double bound in white. Thin nitrocellulose lacquer finish in rare Capri Orange color. Thick C neck carve. Honey amber finished neck with orange hues. Hand wound Two-face pickups with bass-side adjustable magnetic poles, high spec CTS pots, standard 3-way wiring. Callaham steel bridge with staggered brass saddles. Hipshot staggered locking tuners with oval buttons to match vintage look. Morelli backplate and color-matched, transparent headstock logo. Lightly aged finish (not relic). Weighs 7 lbs 12 oz.
Notes: 100% American-made components. 1-year only Fender color. A duet, made in tandem with a matching Strat. Incredibly smooth playing – perfect fret level, with frets finished to a high polish. High-end Fender ABS hardshell case. Matching orange owl strap.
07
Body: Duet ~ Capri Orange S, Aged
Woods: Alder body, Eastern Hard Curly Maple neck, Indian Rosewood fretboard, Indian Rosewood skunk stripe.
Wiring Diagram: Click Here.
Construction Details: Thin nitrocellulose lacquer finish in rare Capri Orange color. Thick C neck carve. Honey amber finished neck with orange hues. Hand wound ’59 single coil pickups, high spec CTS pots, standard 5-way wiring. Callaham stamped steel bridge, steel block with SRV inspired Hendrix tremolo. Hipshot staggered locking tuners with oval buttons to match vintage look. Morelli backplate and color-matched, transparent headstock logo. Lightly aged finish (not relic). Weighs 7 lbs 15 oz.
Notes: 100% American Made Components. 1-year only Fender color. A duet, made in tandem with a matching double-bound Tele. Exceptionally resonant guitar. Incredibly smooth playing – perfect fret level, with frets finished to a high polish. High-end Fender ABS hardshell case. Matching orange owl strap.
02
Body: Inverness Green Metallic S
Woods: Alder body, Eastern Hard Curly Maple neck, Indian Rosewood fretboard, Indian Rosewood skunk stripe.
Wiring Diagram: Click Here.
Construction Details: Weighs 7lbs 15oz. Thin nitrocellulose lacquer finish in Gibson Inverness Green Metallic. Mild V to C neck carve. Neck finished in French polish, with natural aging and wear in the finishing process. Hand wound ’59 pickups, high spec CTS pots, Superswitch 5-way wiring. Gotoh stamped steel tremolo bridge with steel block, Hipshot staggered locking tuners with oval buttons to match vintage look. Morelli backplate and color-matched, transparent headstock logo.
Notes: Neck carved similar to an EJ Stratocaster, but with a more gentle V which transitions around the 5th fret to a C shape. French Polish provides an ultra smooth and ultra thin neck finish. The guitar is tremendously resonant. Frets are finished to a high polish.
12
Body: Bone White T
Woods: Swamp Ash body, Birdseye Maple neck, Walnut skunk stripe.
Construction Details: 1952 Fender Reissue pickups, CTS pots and Orange Sprague caps, Electrosocket, early rounded steel knobs. C neck, bone nut @ 1 5/8″. Super birdseye maple neck with Abalone fret markers. Thin nitrocellulose lacquer finish mixed custom bone white, with matching white headstock and ’52 replica Fender silver logo. Brass saddles, Gotoh staggered tuners. Bakelite pickguard with custom gold filigree. Neck plate custom laser etched.
Notes: Homage to the ’52 Fender Telecaster, this guitar has several super elegant features which just makes it a one-of-a-kind Tele. Plays like a dream and has that just right, slightly thin twang you’d expect.
12
Body: The Flax Hollowbody
Woods: Spruce resin composite (body and neck).
Construction Details: Based on a unique spruce resin composite. Fralin P90 pickups with custom Cocobolo Rosewood covers, CTS pots, vintage cloth wire, Orange Sprague, 1 volume 2 tones no-load, 5 way superswitch (Neck, N&B Parallel, N&B Series, N&B Series Out of Phase, Bridge). White Mother of Pearl flying eagles inlaid at fret positions and headstock. Knurled Morelli Cocobolo Rosewood controls, tip switch, and insignia inlays. Thin Nitrocellulose Lacquer tobacco orange burst, with black lacquer detailing.
Notes: Based on a unique technology developed in Finland, this is the first Flaxwood based guitar known to be built in the USA. Super light, smooth neck and killer sound. You will never see another Flaxwood guitar quite like this one.
30
Body: Octave Mandolin
Woods: Eastern Hard Curly Maple back and sides, Canadian Spruce top, Eastern Hard Curly Maple neck and binding, Pao Ferro fretboard, headplate, heel cap, pick guard, bridge and saddle.
Construction Details: Full carve top, f holes, asymmetrical 3 piece neck, elevated fretboard, blind two way truss rod, Evo gold wire, blind suspended pick guard, dovetail neck, Stewmac vintage tuners, custom archstop style adjustable saddle and bridge. Three color tobacco sunburst, Nitrocellulose lacquer finish.
Notes: Hardware relic’d for a vintage look. Floating pick guard does not touch the top.
21
Body: Morelli 24
Woods: Sitka Spruce carve top, Madrone Burl vacuum veneer, Black Walnut body, Black Walnut neck with Eastern Hard Curly Maple laminates, Curly Katalox binding and fretboard, white MOP markers, Madrone Burl headplate, matching truss rod cover, backstrap and heel.
Construction Details: Semi hollow body, full spruce top hand carved and tap tuned like a violin, 24 fret with highly polished fat Jescar nickel wire, Mojotone humbuckers custom wound by Nick Eldred (Alnico 2 neck and Alnico 5 bridge, stagger 50mm/53mm spacing), humbuckers mounted in special flush trim rings, Snake Oil Nickel Rock strings, 1 3/4″ Buffalo bone nut, Hipshot locking tuners and Hipshot Baby Grand bridge, 1 Volume, 1 Tone, 3 way switch, Volume and Tone are push pull for series and parallel humbucker circuits, Orange Sprague tone capacitor, Ebony wood control knobs. Thin Nitrocellulose Lacquer finish.
Notes: Special vacuum veneering technique allows us to carve a spruce top and create a one-of-a-kind burl top finish. Asymmetrical neck carve provides super fast neck. This guitar has great punch and versatile sound due to its wiring arrangement, yet maintains simplicity of controls. Very light weight, almost disappearing while hanging from your shoulder.
02
Body: Morelli 24
Woods: Spalted master grade Eastern Hard Curly Maple top, Black Limba body, 7 piece neck in Cocobolo, Black Limba and Macassar Ebony, Ziricote fretboard, Madagascar Ebony headplate and backstrap, Macassar Ebony binding, Bridge pieces, pickup covers, controls and heelcap in Belizian Rosewood Burl.
Construction Details: Semi hollow body, full top carve inside and out, 24 fret with fat Evo gold wire, P90 with Alnico magnets wound to 8.8k bridge and 8.0k neck, locking tuners, custom archtop style adjustable saddle and through body strings, 1 Volume, 1 Tone, 5 way superswitch. At body truss rod adjustment. Rear cavity control matches back wood and completely flush mounted with N52 magnets. Nitrocellulose lacquer finish.
Notes: Left handed. Asymmetrical neck carve provides super fast neck for transitions down the neck. Nothing beats single coils for tone. Weighs 6.5lbs.
24
Body: Thinline Telecaster
Woods: Eastern Hard Curly Maple top and back, Honduran Mahogany sides, Bloodwood body stripes, Curly Honduran Mahogany binding, laminated neck in Honduran Mahogany and Curly Maple, Eastern Hard Birdseye Maple fretboard.
Construction Details: Thinline, Semi hollow body, 22 fret with fat nickel wire, set neck 5 piece laminate, tele individual bridge, 4 way switch (4th position provides serial instead of parallel wiring, for a bit more bite).
Notes: A collaboration with luthiers Chris Verhoeven and Todd Stock, this guitar has all the twang you’d want from a thinline with a one-of-a-kind look. Your left hand might think you’re actually playing a Gibson, but your ears know the difference!
23
Body: 0 size, 12 fret slothead
Woods: Brazilian Rosewood back and sides, Curly California Redwood top, Honduran Mahogany neck, Brazilian Rosewood Fretboard, headplate, backstrap, African Blackwood binding, Macassar Ebony bridge.
Construction Details: Based on a 1914 Martin 0, fully scalloped bracing, forward X, Bolt-on neck, rosewood/maple laminate bridge plate, green abalone headstock flower pot, fretboard snowflakes and diamonds, purfling, rosette and end graft inlays. Vintage tuners.
Notes: This guitar was built in collaboration with luthier Chris Verhoeven and inlay artist Rachel Quinn. The single 0 is an exceptionally easy guitar to play, its size welcomes an afternoon on the sofa with easy reach and comfortable body fit. The trick with these guitars is to get bass out of the small air volume. This is accomplished by careful bracing, top tuning and a few tricks around the air volume and soundhole size. This instrument has amazing bass while maintaining lush but well defined mids and trebles. Redwood has the property of warmth like cedar but with more tonal clarity like spruce. The addition of a longer 25.34″ scale provides additional power to drive the top and maximizing volume – a consideration with a stiff red spruce top.